The contents in the "current" section is displayed on the home page. Keep this in mind when changing this page. Keep new entries at the top.
When adding new scores to the list, please take one entry in the "current" section and paste it to the "archive."
This featured list is intended to give special attention to rare editions, complete collections, or just nice things (complete operas, sets of parts, etc.). Pay attention to the scan quality of the score, which, of course, has to be excellent. Of particular interest are editions that have a certain musicological historical value.
Try to space out the pieces by composer, nationality, style, forces, etc.
Be aware that changes to this page will be reflected in the lay-out of the homepage.
If you have any questions, ask me. User:Vinteuil Yell at me Email me
Criteria (suggested)
- Must have verified publisher information.
- Must be PD in all three categories.
- Should be complete, rare or nice (see above).
- Should be good quality scans (8+).
Instructions
- Take the bottom of "Current" and place it in "Archive" Under the div tag. Remove it from "Current."
- Refresh Main Page
Current
Archive
- The first edition of Bob Cole’s The Countess of Alagazam, published by Jos. W. Stern & Co.
- The first edition of Ives’s 114 Songs, published by the composer.
- The first edition of Mayer’s Tonwellen, Op.30, published by Prütz & Mauri.
- The holograph manuscript of Zelenka’s Missa Judica me, ZWV 2.
- The first edition of Tobias Hume’s Captain Humes Poeticall Musicke, published by John Windet.
- The first edition of Bob Cole’s The Conjure Man, published by Jos. W. Stern & Co.
- Prokofiev’s L'enfant prodigue, Op.46, published by Boosey.
- The holograph manuscript of Mayer’s 9 Tänze.
- The holograph manuscript of Zelenka’s Missa Gratias agimus tibi, ZWV 13.
- The first edition of Sophie Elisabeth Duchess of Brunswick-Lüneburg’s Vinetum evangelicum, published by Johann and Heinrich den Sternen.
- The first edition of Bob Cole’s The Black Four Hundred's Ball, published by Howley, Haviland & Co.
- Prokofiev’s Things in Themselves, Op.45, published by Muzyka.
- The holograph manuscript of Mayer’s Symphony No.3 in C major.
- The holograph manuscript of Zelenka’s Missa Eucharistica, ZWV 15.
- The first edition of Sophie Elisabeth Duchess of Brunswick-Lüneburg’s Neu erfundenes Freuden Spiel genandt Friedens Sieg, published by Konrad Buno.
- The first edition of Bob Cole’s Big Indian Chief, published by Joseph W. Stern.
- The first edition of Prokofiev’s Le pas d'acier, Op.41, published by Editions Russes de Musique.
- The holograph manuscript of Mayer’s Symphony No.2 in E minor.
- The holograph manuscript of Zelenka’s Missa Divi Xaverii, ZWV 12.
- The first edition of Sophie Elisabeth Duchess of Brunswick-Lüneburg’s Glückwünschende Gedancken, published by Johann and Heinrich den Sternen.
- The first edition of Bob Cole’s 4-11-44, published by Joseph Flanner.
- Prokofiev’s Symphony No.2, Op.40, published by Muzyka.
- The holograph manuscript of Mayer’s Symphony No.1 in C minor.
- The holograph manuscript of Zelenka’s Missa Dei Patris, ZWV 19.
- The first edition of Sophie Elisabeth Duchess of Brunswick-Lüneburg’s Freüdensdarstellung, published by Johann and Heinrich den Sternen.
- Gussie Davis’s Withered Leaves, published by George Propheter.
- The first edition of Prokofiev’s Quintet, Op.39, published by Gutheil.
- The holograph manuscript of Mayer’s String Quartet in D minor.
- The holograph manuscript of Zelenka’s Missa Dei Filii, ZWV 20.
- The second edition of Schein’s Cantional, published by Jacob Schuster.
- The first edition of Prokofiev’s Piano Sonata No.5, Op.38/135, published by Gutheil.
- The holograph manuscript of Mayer’s String Quartet in A major.
- The holograph manuscript of Zelenka’s Missa Corporis Domini, ZWV 3.
- Complete stage directions for the original production of Debussy’s Pelléas et Mélisande, published by Durand.
- Gussie Davis’s Why Does Papa Stay So Late?, published by Benjamin W. Hitchcock.
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